'Fifty Shades Freed' Production Notes

by - 6:13 PM




James Foley on the work Dakota Johnson and Jamie Dornan have put to the series:
Jamie and Dakota have the kind of instinctual connection to their characters that actors who are really good in their parts find. At this point, they are referencing something that they know; they’re not making believe.  Somehow, Dakota plugged into the psychology and the emotion of Ana, and Jamie relaxes even further into the role; in Freed, you see him find Christian Grey in himself.”

Michael DeLuca on the work Dakota Johnson and Jamie Dornan have put to the series:
“What Jamie and Dakota have been required to do in this series is to accompany this rarified space few performers ever encounter.  Not only were they charged with bringing to life two of the most beloved characters of the past century, they had to discover the nuances of Christian and Ana under the relentless eye of the public.  They’ve handled themselves with grace, charm, compassion and levity—all while plumbing the depths of their characters.  I speak for everyone involved in the production when I say that no two actors could have done it better.”

Dakota on Anastasia Grey in Fifty Shades Freed:
“In Freed, there’s more suspense, more of a thriller aspect, with additional characters and more action—all of that is intertwined with the love story.  A love story that has evolved and deepened.  Anastasia and Christian are married, and Anastasia has received a promotion, raising the intensity of both her private and professional life.”

Dakota about Fifty Shades Freed being a love story:
“This is an epic love story but we do our best to keep it grounded and relatable.  It’s one of those inexplicable connections between two people that is completely undeniable. Throughout these stories, you find the protagonists faced with situations that require one or both of them to bend their wills and adapt to their version of love.”

Dakota on Jack Hyde’s obsession with Christian Grey:
“He wants what Christian Grey has, he wants his house. He wants his helicopter. He wants his wife.  If he can’t have it, he’s going to do whatever he can to destroy it. He feels entitled to that life, so there is nothing that he won’t do, nobody that he won’t hurt to get what he wants…which is just to punish Christian for having the life that he could have had.”

Dakota on Anastasia’s character evolution during the films:
“At the beginning of Fifty Shades of Grey was this young girl who never put makeup on her face and couldn’t put an outfit together for the life of her.  You know, she’s quite naive and not really focused on her looks.  As she moves through to Fifty Shades Freed, you have a manicured and elegant young woman who is the boss in her professional and private life.  She understands her body and sexuality.  She is forthright and confident; that all translates through her appearance.”


Brant Daughetry on Dakota Johnson’s warm welcoming:
“[…] but I have to give Dakota credit because she welcomed everybody with open arms—she’s one of the kindest people I’ve ever met.  I met her very briefly the first day.  She came up the next day and asked, ‘Brant, how are you today?’  I thought, ‘Wow, you have so much going on right now, and we didn’t work together—we barely met.’  She took the time to remember everybody’s name and welcome them.  It’s a little nerve-wracking, coming into this big, secret world, but she and James Foley just made it incredible.”  

Dakota on practicing handling a firearm and piloting the 2017 Audi R8 V10:
“There are guns and stunts and car chases…quite the opposite from Ana’s fairly sedentary lifestyle in the first film.”

Dakota on filming the wedding scene:
“I married Jamie 14 times that day.  It’s a funny thing in itself to do a wedding scene and to wear a wedding dress and say all the marriage jargon, but even more silly to do it with him.  We both could not remember our vows for the life of us and kept losing it with laughter during takes.  It was really great to have the whole cast on set that day though; that is always such fun.”

James Foley on filming on filming the Eiffel Tower scene with Dakota and Jamie:
“The most special thing for me is how Jamie and Dakota were still laughing with each other.  We shot a scene on the balcony overlooking the Eiffel Tower, Day 103, and they were still giggling and enjoying each other.  That, of course, is the essence of the movie and the fact that they were able to have that kind of chemistry—it’s the sweetest thing.”

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